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Wilderness Painting
$399.00
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Yongrong Dai, born in 1979, developed an early passion for nature. Although he was an avid traveler yearning to explore foreign landscapes, he temporarily set aside his wanderlust to pursue a university education, majoring in art. Taking his studies further, Yongrong ventured to the United States, collaborating with design mentors. Integrating his love for both scenic travels and art, Yongrong's collections narrate tales of his journeys and the keepsakes acquired along the way. Intrigued by realism art, he draws inspiration from climbing and observing natural landscapes, translating these experiences into vivid artistic expressions. Yongrong's artworks are characterized by intricate detailing and delicate oil painting strokes that contrast against rough textures. Through his pieces, Yongrong aspires to immerse viewers in the essence of his travels, inviting them to share in the richness of his experiences.
The Wilderness Painting" is a captivating blend of artistry and emotion, seamlessly merging hand-painted techniques with modern printing, further elevated by tactile 3D elements. This piece captures the poignant beauty of nature in transition, depicting trees gracefully wilting, a testament to the ever-changing tapestry of the natural world.
Each brushstroke and printed detail narrates a story of time, resilience, and the cyclical dance of life and decay. Such a riveting portrayal not only enhances the aesthetic appeal of any space but also serves as a conversation piece, inviting viewers to delve deep into introspection.
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Koala Living acknowledges the traditional owners and custodians of country throughout Australia and their connections to land, sea and community. We acknowledge the Bunurong people, on whose lands our head office is located, as well as all other First Nation Countries on which we operate our business across. We would also like to pay respect to their Elders, past, present and emerging and extend that respect to all Aboriginal and Torres Strait Islander peoples today.
